Mathew Oyedele
For Emmanuel Bankole, fabrics transcend their traditional role as mere clothing accessories; they become markers of growth, identity, and purpose. Since graduating from the Tai Solarin University of Education (TASUED), Ogun State, Nigeria, in 2018, Bankole has immersed himself in exploring fabric as his chosen artistic medium. His work is a profound reflection on self-awareness and the search for purpose, often inspired by stories and revelations from the Bible. This spiritual dimension of his art is central to his practice, driving him to exhibit his works not only for commercial gain, but to inspire and motivate his fellow youths.
Unlike artists who transform discarded materials into art, Bankole deliberately selects fresh fabrics from bustling markets in Agége and Ogbà. These materials are then deconstructed and reconstructed in his studio, allowing him to maintain consistency in colour, texture, tone, and appearance. This meticulous process reflects his dedication to ensuring that each piece resonates with the themes he seeks to explore.
In his artistic journey, Bankole has drawn immense benefit from the wisdom and experience of those ahead of him in the industry. This spirit of learning and collaboration underpins the theme of this exhibition, PaceSetter. Unlike his debut solo exhibition at Thought Pyramid Art Centre, Lagos, in 2023, which focused primarily on his personal narrative, PaceSetter emphasizes the importance of unity, collaboration, and learning from role models as essential elements of a purpose-driven life.
One of the standout pieces in the exhibition is Conversation with My Son, where Bankole creates an imagined scenario of a father guiding his son on navigating life with a strong sense of identity, principles, and values. The work features a father seated on a couch with his son, pointing instructively, while a dove hovers in the top right corner, symbolizing the divine presence in the conversation. The dove is a recurring symbol in Bankole’s work, representing the spiritual guidance that permeates his narratives. A similar theme is explored in Teachings of a Mother, which depicts a mother and child in an open space, though this piece was created in collaboration with his mentor Abiodun Badejo.
Perhaps the most intriguing aspect of PaceSetter is Bankole’s collaboration with other artists, resulting in works that complete the project. In partnership with Abiodun Badejo, Adeleke Akeem, Adewale Ojo, Tolu Raymond, and Israel Padonu, he created pieces such as Hand Lifters, Helpmate, Dreams and Birthing, and We will Figure it out Together. Hand Lifters, a collaboration with Tolu Raymond, highlights the significance of mentors and role models in elevating those who come after them. The mixed-media piece depicts two men atop a hill, with their heads replaced by symbols—a crescent and the sun—emphasizing the nurturing and illuminating roles of mentors. The backdrop of mountains alludes to the challenges of life, reinforcing the work’s message about perseverance and guidance.
Through PaceSetter, Emmanuel Bankole invites viewers to reflect on the importance of mentorship, collaboration, and spiritual grounding as key components of a purposeful life. His works, deeply rooted in his faith and personal experiences, serve as a testament to the power of art as a medium for inspiration and growth.
Mathew Oyedele is a curator and art historian working in Lagos, Nigeria.
